already supported by loco dice, catz n dogz, mihai popoviciu...mike spirit and rayo continue their cooltool journey into classy contemporary house music. after highly acclaimed debut >southwater ep< by technique & yaroslove (including alexkid and patrick zigon remixes) new release is on the way. please welcome v!ctor & lownza (jett, frabon records) who deliver massive house tune >bit my jazz< straight from smoky parisian dancefloors. another french veteran chris carrier (proud owner of catwash and adult only imprints also releasing his music on such well-known labels as robsoul, bass culture, off, spectral sound and, finally, freak n chic) is responsible for two driving remix tools - and we must say, this is carriers sound in its finest!

shining a light on hypers explosive production style and showcasing jim davies (ex prodigy + pitchshifter) astonishing guitar work, the end is an intriguing snapshot of some of what to expect from hypers eagerly anticipated long player. with its richly layered synths, thunderous bassline and anthemic vocal hook >the end< grabs you by the scruff of the neck and takes you on a five minute journey through massive build ups and breakdowns. think pendulum meets cooper temple-clause. with remixes from interface, beatman & ludmilla plus minus monumental dubstep re-rub watch closely as the next chapter of the hyper manifesto unfolds. you have been warned …

>daemon< is the third ep from kenton slash demons >the schwarzschild solution< trilogy and features remixes from axel boman<. tartelet records are proud to present this last ep from the momentous trilogy and feel confident that it will bum rush discerning dance floors with its unrelenting, seductive beats and yearning, melancholic bent. as you may already know, the name >the schwarzschild solution< is taken from karl schwarzschilds complex theory about gravitational pull and celestial bodies. this is heavy, elevated subject matter, which goes extremely well with the lofty artistic ambition and nuanced emotional disposition of the trilogy. and as you would expect it from the boys, >daemon< is a grand journey of larger-than-life proportions.

in 2009 the internationally acclaimed german director tom tykwer (perfume, run lola run, the international) supervised a film project in kenyas largest township kibera together with his wife marie steinmann. they put together a team of international film pros that each mentored one film student and helped them put together the movie soul boy. a story about a boy who has to go on a journey to rescue his fathers soul from a mysterious voodoo women.
the result of xavers score is a percussive journey reminiscent of minimal music from the 60s paired with african vibes but completely void of world music cliches. its closer to krautrock and steve reich than to the commonly shallow perception of indigenous music by first world movie directors. full of odd sounding kalimbas and plucky guitars, backed by heavy orchestral drumming and floating e-bows.

third release for the neurhythmics label. once again, juergen provides 4 tracks for this ep, all of which are on the deeper side of detroit-inspired house music. be it the shimmering chords of >last day< or the loose and skipping organs of >headache<, each track shows a different side of juergens productions. noticeably heavier than the other tracks is >post reunion< where the floodgates open, and a haunting stab rides over the crescendo of cowbell driven disco-beats, with a bassline that is difficult not to be commanded by, and an overall journey feel that just doesnt want to stop

the house of the rising sun ep is takeshis 2nd release & showcases more of his classic chicago influenced style while keeping his sound fresh for today. the deep tenmangu starts side a then a lost japan drives into an epic electronic journey. on the flip are the title track and alone.

andreas gehm returns to the mathematics imprint for another round of sick cuts. this is voodoo opens with an eerie basement banger that is followed by all soul day, a deeper journey into his production. the return of ra kicks up the dark acid while the title track ends the ep with more tech.

remixes by john beltran and napi hedz aka reggie dokes and maurice herd.

no matter what recordings, a new sonic melting pot of ideas founded by eastern berlins alex agore (4lux, kolour, royal oak) and glasgows own james johnston (4lux, kolour, dikso). this collaborative journey of intellectual freedom will explore the infinite combinations of form and function, dark and light, kick and hat, bass and melody. forever searching, despite what stands in the way, without regard for the consequences, persevering for that perfect beat, no matter what …

felinephonix music sets off 2011 with the first installment of a limited edition vinyl selection from the project house of label artist & founder, mieka du franx, with exclusive dj support from kim ann foxman (hercules & love affair) and nina kraviz (rekids | underground quality). du box chronicles is an intimate collection of works & collaborations set to press. vol. 1 presents abe duque, the acid tech king of new york who delivers an elegant, journey-esq arrangement of avant guard deep house that inspires an uplifting vibe beautifully orchestrated with the warm vocals of mieka du franx, titled >du light<. >du what i du< (dub) is all about the hook and dig on that housey bass line, a classy rendition of the original that takes this number back. the 20th release of felinephonix music marks well earned return to wax. the label’s early most notable works were done with heavy hitters kink, jay tripwire, chris carrier, and fm attack, whose productions can be found along side mieka du franx. the hits that gained high recognition were from mixmag’s top djs of 2010 including kissy sellout (bbc radio 1) and luciano (cadenza), as well as support from derrick may, ralph falcon, hernan catteneo, rodriguez jr., mark henning, and many more.

after visiting the north of bass music with the first ep caterva goes up north, the french band and label i.o.t records continue their journey from this time to southern bass music. for this new ep southern caterva produces a track with the sounds clearly kuduro salta featuring mc baal.it follows the track barrio alto, after a remix sounds salta but in a vein clearly solid dubstep. heavier than ever and halfstep, barrio alto is a bomb for the dancefloor dubstep ravers around the world!to close this caterva goes down south, you can download (using the 3d code visible on the cover),the remix digital version salta baile funk with dj uno.

sasha carassi is back on his phobiq imprint with the fiberboard ep!with synths sounding like liquid tension, the original mix is a journey through tough beats and frantic electronics. the mighty slam are in charge of the first remix and they take the dark and dirty route, stripping the original down and adding some bleakness of their own, only to surprise us with an old school-sounding breakdown. the acid mix is slightly more rolling, featuring snappy drums and pulsating percussion, which takes us to the fourth track of the ep closing up is tom laws, who has been making his own unmistakable noise as of late. utilizing simple,yet solid drums he offers us a clearer picture of the tense synths while maintaining the vibe of the original.

visionquest unleash the second superb release on this years most exciting new label. footprintz possess the kind of musical magic that seems to be created through some unfathomable chemical reaction, their pop sensibilities perfectly balanced with a mystical sense of kudos. sounding like hot chip in paradise, hercules in a new love affair with a euphoric lcd soundsystem, >utopia< is the first step in a great musical journey for this magnetic partnership. charming guitar led melodies strung out over blissful poetic lyrics and dreamy synths, >utopia< is the embodiment of its definition. a captivating blend of pop magic, hatched in a dream and painted in vivid colour, it creates devotion to its musical heart. its elusive partner in crime, >golden dreams< is cloaked in mystery and soaked with attraction. uttering choral cries and apocalyptic echoes, it evokes the thrilling sensations of falling in love. steering to the dancefloor, house music king ewan pearson breathes melancholic pulses through utopias veins in a heart-rendering remix for the small hours a truly inspiring remix from ewan who mastered the whole ep.

subwave returns to metalheadz for a musical outing that will certainly have a few scratching there heads in wonderment, this is not the usual output we hear from headz but it sits just perfectly with releases like commix remix album >recall to mind<. >naked lunch< takes us on a journey into deep house electronics, lush strings and slick programming all the way this is fit for any dance-floor. on the flip >raindance< takes us into dubstep territory – if you are a fan of nonplus and disfigured dubz then this is most certainly for you, its warm, moody (in a good way) and beautifully crafted, there is even a hint of old school detroit in this one ...
the whole package is and is of the highest quality, we expect big support from the deephouse, techno and forward thinking dubstep djs for this, long may subwave continue this journey into music from future!

just close your eyes and listen to these three lush compositions, while your imagination paints brilliant abstract visuals deep in the alleys of your mind. keeping consistent with the previous ten aesthetic audio releases, the formula for this new gem remains an uncompromising plethora of very raw substance, innovation, and timeless music that will clearly stand on it own amongst deep dance aficionados across the globe. deep roots: begins this journey with this intense and twisted deep banger that is simply a dancers dream. thumping drums and melodic string arrangements get things jumping as you are very quickly taken to your special place. the dark symphony: is a sinister and grimy yet gorgeous piece of work all at the same time. lush chords and dark electronic sculptures spark an imaginary sense of euphoria as the art of dance holds your body ransom. climates: captures the sheer art and raw essence of deep underground dance. this dark beauty continues to build until your body renders itself to the rhythm, and then ultimately it fades … leaving a beautiful memory on the canvass in your mind.

this is the third 12-inch for panacustica, delivering a deep, atmospheric ambient track by cosmic metal mother: >zen locomotive<. as soon as the needle drops onto the vinyl, a train sound emulated by a moog transports us through a gentle melody consisting of moods and textures created by uneven loops of sustained sounds, suggestive of a scenery from a train window in full speed, where color shades melt as well as time and space exactly like the music, an intense trippy and esoteric journey.

a full length lp by ruins, an italian electro-wave duo. ruins formed in mestre in 1978 with the intention of experimenting with electronic devices and mixed media. they mainly created music out of self-expression without any intention of joining the mainstream. interested in multimedia, they had a strong visual aesthetic apparent via their album art, videos and projections. its where italo meets minimal wave. the -fire- videos are a must-see in order to grasp the full effect of the song, check out the first version here and rare second version here. the lp entitled -the art dance- features a collection of songs recorded between 1980-1984, some previously released, others never released before pressed on 180 gram vinyl and housed in a lovely hand-numbered glossy gatefold jacket lined with the bands history and photos, and accompanied by a lyrics insert sheet. tip!

supported by luciano, timo maas, pig & dan, anthony collins, woody, dustin zahn. rifraf is rafael gimelstein, recently relocated from sydney to berlin, born in lithuania, raised in israel, flowered in sydney. classically trained violinist, deep as fu*k party organiser and creator of sydneys earthdance festival, rifraf is now full time producer making his distinctive sound in electronic music world. philosophy started as a casual recording of his granny klara telling stories about her time in a concentration camp in germany, and singing the yiddish song tumbalalaika and ended as a very intelligent moving sound collage. the whole peace is a trip, which feeds you constantly with changing noises and visions. although philosophy is transferring a lot of aural information, it is never telling to much and still works perfectly on the dance floor. its just an intoxicating musical tale which drives you on a wild journey. with the both remixes, one of alexkid with his deep as fu*k remix and phillip baders off runner the release get its pretentious dance floor alternatives. fifteen seconds close this fine ep, which rafael did in coop with the young israeli producer omer from tel aviv.

after the sensational >paris underground trax - vol.1< ep, my love is underground returns! this new release has a very special story. the dedicated deep house connoisseurs amongst you will surely remember the name of >jerzzey boy<, a guy who did a bunch of releases on bottom line between 1992 and 1993. with the help of his partner brawther & after 5 years of research trying to trace him, the man behind the label, jeremy >underground paris< travelled to... pennsylvania, where jerzzey boy now resides, to meet up with him and bring back dat tapes, with unreleased gems from back in the days! heres a part of the result of that journey which is >lost cuts pt.1<, 4 tracks with that original early 90s vibe that will bring you straight to club zanzibar!

superb cosmic and minimal synth/ coldwave german underground masterpiece recorded in the early 1980s and released exclusively here on super-loud high quality 12inch vinyl on soul jazz by popular demand! this is extremely limited (500 copies only) and contains three exclusive tracks of cosmic heaven by the cult german electronic group e.m.a.k. - none of which appear on soul jazz records recent e.m.a.k. album. e.m.a.k. were a main feature on deutsche elektronische muzik, soul jazz records recent journey through german experimental rock and electronic music. featuring alongside can, neu, tangerine dream, cluster and popul vuh, e.m.a.k. led the evolution of what was called >krautrock< in the 1970s into a more updated synthwave, digital sound in the 1980s – >tanz in der himmel< is one of the rarest and most loved cosmic synth/coldwave outings from this cult group.

debut release for stareaway, a new project of german >inventor of pop ambient< markus guentner with singer heiko badje, the man behind saudade-driven pop band la grande illusion. following several releases and highly successful and critically acclaimed albums guentner solely released since 2001 for kompakt and ware, guentner and badje contributed their first co-operation >baghira< on kompakts pop ambient 2006 compilation. markus guentners track >regensburg<, considered to be one of the best tracks kompakt ever released, was selected by sven väth to finish his mix of the second season and remixed by wolfgang voigt. for the start of the new hamburg based label couldnt care more they release two melancholic pop ambient tracks, the title track additionally remixed by osunlade, the acclaimed producer, dj and label owner of yoruba records. the both aerial and profound ambient soundscape of >learn how to love me< is waiting patiently, increasing softly while heiko badjes voice shivers with emotions of entreaty and wanting. it is followed by the sublime deepness of >unwise< in which badjes lyrics about love and temptation appear into a vision of pop as atmospheric intensity and disappear into somewhere else. on the b-side the yoruba soul suite reworks the original totally. osunlade is looking for a different kind of deepness, transforming ambient into an epic, floating journey of house music full of light and groove

defrag is back! sid le rock is the new star on our label with 4 hot tracks only for sophisticated tastes. troubles is a funky techno ballad with a dark voice, more troubles is the dark side of sid le rock, minimal sounds and spacing effects lead us to a new planet. she smiles is for a romantic journey and the remix of fairmont drive us directly to a gloomy love

ltd red coloured !! inneractive music brings you the second in its highly limited vinyl-only series from spirit. >disconnected< goes on a deep journey through revolving synths and striding subs before reaching its nervous climax, while >clak< goes a stage further through glitching rhythms and cavernous tones, riding underneath an echoing dubbed-out soundscape. this is music to listen as well as groove to.

devastating and important first vinyl nutempo records. mike wall & ixel are artists who do not need no introduction. here they show three original tracks, which represent three stages of their journey by train ... techno clean, direct to your brain, with references to some minimal rhythmic. three high-level tracks for everyone! the remix by m.a.d.a. & plankton, makes the trip complete!

180gr! the goddessis his first single for international feel and continues his journey into deep space production, beautiful uplifting melodies and chunky beats. backed by a oh so deep and mesmerizing rework from quiet village..

echolettes second release manzanillo 002, follows up with a similar tropical -journey feeling- as felt on echolettes first release, perhaps setting the style for this excellent new label. whereas before it was pygmys and bongos, this time manzanillo has a distinctly more mexican, if not aztec vibe. the original mix kicks off with steady galloping horse like drums and percussion, which is suddenly met by a lovely melodic bassline, which again is doubled up with what sounds like a xylophone. just as your wondering where its all going, a wicked little riff with delayed minimal vocal slices enter the mix keeping the groove going on and on forever and ever... another brilliant and quality piece of music from jackie misfit

after dorisburgs hypnotic journey we give you the return of genius of time! a-side gliese 581g is an analogue tribute and journey to the newfound planet in the gliese star system, far, far away. on the flip, expect a stripped-down conga groove and laser blasts of science fiction house music that will rip up the dancefloors! according to some reviewers aniara03 is idiosyncratic non-conformist house music... and yes, we do agree with those words!

phoreski, who was the first ever remixer for iib returns to remix >electric sunburst< from the harlyn bay lp, creating a heads down dirty balearic slo-mo basement monster as only he can. next up is tony watson from adult contempory / la who remixes >pacific breeze< adding a touch of west coast b-boy flair. peter visti takes on the not-yet-released track >childhood melody< creating an epic balearic journey starting fairly uptempo before changing gear to groove along at a more leisurely slomo speed. top quality as always. finally, and proving the boys have the jump on tomorrows stars early, the amazing & much sought after aeroplane rework of >too hard<, originally released in 2007. another all round top package.

head-turning singles >tuff enough< and >take em up< from marcus >shit robot< lambkins fantastic debut, from the cradle to the rave, get reinvented by two of the most talented dj/producers working in electronic music. on the a-side is germanys michael mayers epically inventive take on >tuff enuff<. less muscular than lambkins original, the remix softens things up by placing supple keys under the hardened exterior. the climax is an otherworldly listening experience that literally builds to take off. on the flip, john talabots remix of >take em up< starts like a laidback house party that builds just enough energy when its relocated under disco lights. the haunting opening — a swirling, ghostly blend of elliptical vocals and handclaps — leads to a sonic journey that is as smooth as it is wholly entrancing. this fantastic coupling of tracks is being produced in very short supply, so snap them up quickly!

the man called leftside wobble raises the heat and delivers two top quality reworks on autodiscotheque continuing the imprints journey into the disco influenced proto-house sound. leftside wobble has emerged as an exciting new dj and producer on the back of the massive hype created by his genre-hopping dj edits and mixes that are posted on his self titled blog. followers of the wobble sound now include music aficionados and dj legends like greg wilson, mr scruff, the unabombers and rob da bank and his web following is ever growing.

what a journey! well, these guys have been around for a while- they have gone through: rave, jazz, krautrock, garage, detroit, house, hip-hop, disco, folk, dubstep, electronica, funk, punk, wave, chicago house, handmade music and soul. all those nights at clubs, the records, the shelves, the dirt in the second-hand record shops, the stacked audio- and studio magazines in their toilets or elsewhere in the house, the hours spent making their own radio-shows, hundreds of hotels checked in and out of, dozens of sound-checks done. last but not least, the revivals, the subgenres, the fusion - well these peeps have given real influential input into some of these (sub)genres in the past. >lovin< is the second single release of the upcoming >alex and the grizzly< album which is due out in april 2011. alex barck is on the vocals together with lois longerling, who is known for her work with dollkraut. andre lodemann delivers a smart remix giving the tune his trade-mark sound and putting onto the house-dancefloors. prommer and barck are on tour with their own live show.

incl. dyed soundorom remix big with: nic fiancuilli, robert james, adultnapper, matt walsh, tiefschwarz, ripperton, davide squillace, simon baker, luke solomon, meat, geddes,... we are very happy to welcome a new artist on board – inxec aka christopher sylvester. were always looking for this kind of freshness and he definately has plenty of it! his genre-mixing and high quality production skillz are speaking for itself: be it the deep tech-housy >angel<, the bass-heavy & funky >come on!!< or the ultimate groove of >nightingale<. angel takes you on a journey with its catchy and flying synth line, right down to come on!!, the future soundtrack of an amusement park, before it all ends in the mad jungle of nightingale. all of these 3 stunning cuts are clearly made for the club, as well as the superb dyed soundorom remix of >angel< – a pure and massive groove for primetime dancefloors

nice price deal !!! early support by luciano, dop, mathias kaden, steve bug, dixon, tini, karotte, markus fix, chris lattner, timo maas, ripperton, nick harris, martin landsky!baalsaal welcomes mr aeromaschine and predicts a long relationship to come. aeromaschine delivered a real versatile stunner. debunking random myths stands out as a very unpredictable piece of live performanced like collage and definitely will be his opener on his next festival in summer. not so is an hypnotic acidy interpretation of past future old school with a present high roller coat. this track blew us away. on the flip dean aka bearweasel digs a little deeper with classy dubby elements and a journey to planet x dream dancing to come... the dark horse is serenades for simple brains a beatdowner that nails it when it comes to non hype edit production.. a track to play for the next decade.

well rounded kick off 2011 with the deep space bump-n-hustle of littlefoots aptly named >interplanetary< ep.
all 4 tracks contrast tuff dry drums & low sweeping subs with cosmic atmospheres and twilight melodies and chords. theres a unique strictness in the drums here, less swung than typical garage but with innovative programming that shows a producer keen to explore new possibilities. as ever with well rounded and our producer friends, we are celebrating influences from the past - think classic 4/4 uk garage in the vein of dem 2, mixed with early 90s rave sounds and welded together in a motor city car plant. with added post-dubstep production sensibilities, littlefoot is creating an unheralded hybrid sound. all 4 tracks contribute to the completeness of the ep - we go in hard, explore different areas and complete our journey with the last track. we hope you enjoy this trip.

zckr02 is a limited release of 450 pieces which are hand-numbered and available only in vinyl. this new release is from a young and talented bremer artist named playmodul and it also marks his début on zckr records. he has been a core part of the zckr label from its birth, which has bloomed in this hanseatic city. playmodul performs powerfully both live / djsets at his favourite house/club: the zucker. his deebut single from zckr records starts with the ep canula, a wonderful dream journey between electronicfields and deep waters.

2010 has been a massive year for jozif, emerging as one of the most talked about artists in house music. the follow-on from the first sell-out edition, “beats in space”, “brick jane” goes further to cement his place as one of the vanguard of the london music scene, and propel fist or finger to the status of a buy-on-sight label. jozif’s title track – the dancefloor focused ‘fist’ of the package – goes in deep, the momentum continuously building as the track twists and turns through a landscape of deep slabs of bass assured deployment of subtle guitar plucks and piano chords, and dreamy xylophones. finally releasing into an epic crescendo, jozif only allows the moment to last just long enough, before all the elements are stripped right back as the journey starts all over again. brick jane draws out a journey, continuing to morph and subtly affix new elements throughout its 7 minutes. the arrangement is simple yet the progression is deft, subtle and effective, creating a vibe that can be employed at any given time of the night, offering a truly different context. craig’s ‘finger’ re-interpretation picks up the thread where his “beats in space” remix left off. crackling static laced with woozy atmospheres and paranoid utterings flip the vibe of the original completely on its head. richards displays a completely unique ability to stretch the original track far beyond its character into a completely different dimension, building a warped soundscape that feels as though it was recorded in a chasm deep deep underground. a mind-bending journey from a truly multi talented artist, in the truest sense of the word

the 5th release on the newly-formed wetyourself recordings sees the label continue on its unique techno journey. born out of their weekly sunday night parties at fabric in london, the label pushes on with its monthly release schedule of quality music.

pressed as a limited edition of only 300 copies on 10 inch white vinyl, featuring unique artwork by up and coming artist, 181. inneractive music brings you the second in its highly limited vinyl-only series from spirit. >disconnected< goes on a deep journey through revolving synths and striding subs before reaching its nervous climax, while >clak< goes a stage further through glitching rhythms and cavernous tones, riding underneath an echoing dubbed-out soundscape. this is music to listen as well as groove to.

a1. (lars hemmerling : hedgehog in the fog) industrial sine waves meets frozen echo sculptures in dub, an intense bass journey from dub till dawn.... b1. (gunnar hemmerling : stranger ranger) :broken beat programming + dancehall bassline laid in an atmospheric enviroment / industrial alike soundscapes.

erell ranson is based in the north of france and has already released memorable records on arne weinbergs aw-recordings, as well as on his own myself label. he expresses his personality through these soulful productions, and this new release on adepth demonstrates how his great talent has developed even further. each track on the new everything needs to be clear ep is an individual musical journey in its own right. the 4 track ep begins with erells original version of >everything needs to be clear<. its combination of gentle chords with electro beats is the foundation of the musical ideas explored throughout this release. the second track, >so strange to explain<, is deeper and an adventurous fusion of dark, intense tones, swirling beats and insistent percussion. on the flipside, canadian rennie foster remixes the title track, and delivers a fine piece of modern dancefloor techno which respects the key elements of title track. erells >sandcastle< closes the ep, and its sophisticated yet punchy bassline and fragile synths recall some classic early 90s productions.

we are happy to announce the first release from ultrastretch featuring nottingham-born and now london- based artist matthew burton. a – who loves yous short, sharp hats and robotesque samples build slowly and aloofly to what becomes a somehow familiar and nostalgically tinted style. it is in fact, sampled from the 1987s >the running man< soundtrack, originally composed by harold faltermeyer and picked and plucked apart by matthew burton to make it into his own. the epic synth riff melted with its strong kick and tightly sprung sound corners are eerie and atmospheric. >who loves you< resonates with all of us with its clear 80s feel thats been manipulated into a new and exciting piece of underground music from matthew burton. b – small winner takes us on another journey all together. a deceivingly kicky intro steers us into a combination of swooning orchestral brass and delicate jazzy piano keys who share their space with a crunchy and inviting rhythmic stride. its cleverly concocted instrumental experimentation lends its listeners ear towards the smooth ambience while the hypnotic beat keeps us subconsciously moving. dramatic pauses, a syncopated yet soothing orchestral fusion build >small winner< into an original and intriguing musical piece.

lowjac demonstrates his versatile sound and production style, on a unique debut vinyl only release, featuring an exceptional remix crafted by metrolux label boss xdb. limited copies. >frontal rainfall< is a sublime dub techno piece , subtly infused with organic textures, while its driving flow unravels into an acoustic journey of dreamy realms and atmospheric moods. >hatfield junk< drifts without warning to a futuristic hip-hop direction, triggered by offset beats, cosmic synths and cinematic samples easing into an unpredictable breakdown workout. xdbs b-side interpretation, through different dynamics, rhythmic arrangement and depth perspective, is an astounding display of his ability to elevate the original track to a world of sheer bliss.

the >calling planet earth ep< continues his journey of his experimentation with sound. in addition to the title track, >the magic city< and the sun ra homage >conversations in an analog dialect< showcase more of the evolving production from the mathematics label boss. hand stamped white labels. limited to 250 copies (no repress!).

the subdivision return home to paradise lost with the open your eyes ep: epic vibes, hypnotic bass work, and complex programming manifest themselves as what might be considered their best work to date, and surely a production which defines their unique style for building cinematic tracks of epic proportions. the structure is trademark tsd: a beautifully drawn-out breakdown compliments the progressively building tension, leading to a thunderous climax toward the end. this tune is more of a journey than simply a dj tool (although its a treat to mix with), and djs such as bunzer0, djunya, 501 and claw have used it to devastating effect in the mix.

once again, berlin based resopal label head mri sticks to his guns and brings you strangely funky tunes. weakend-polka titled ep is filled with three tracks, all spiked with steady beats, funk, deep melodic chords and an overall glamour house feel. this is not only very well produced house / funk music, its also a journey through deepness and a modern take on the soulful side of the electronic music which exceeds the genre by far with a rich, colourful palette of surprising, individual sounds, butter-smooth chords, some of the most raunchiest bassline that you will ever hear outside of drum n bass, cleverly constructed beat patterns that yet never fail to jack and swing and an understanding of dub that goes far beyond the random use of echo and effects. this is electric intergalactic soul/funk/house/techno. its noir, its dirty, its dangerous and risqu. on vinyl, as we like our little record-shop around the corner.

incl. billy dalessandro remix romeo kardecs musical journey began on a cloudy afternoon at père lachaise cemetery in paris. the montreal producer presents >clean slate< , his latest ep of stripped down techno, with a bonus remix by booty tech maestro, billy dalessandro !!

sublimely convulsive shangaan electro-gospel by a pastor from giyani, limpopo, recorded in 2008, brimming with aching, plaintive, mournful spirituality. however fractured, multi-faceted and fresh the music comes across ù that signature whistle and sampled marimba, a little wonky high-life, rough, skittering drum patterns, no bass ù the surging vocal lines and harmonies are unmistakably rooted in traditional south african music.

after a long journey by night, andrewvelt returns with >micodom macadam ep< - quite old school, >ridiculus< is flirting with a bassline, fighter cries and an acide touch. >boonty< is electronics diy with rythmic percussions, >the cabine anglaise< is more a cinematic tech-house track.

supported by: reboot, dubfire, ewan pearson, samuel l session, raresh, tim xavier, christian smith,.. with oliver deutschmann & ed davenport polytone proceeds on its way to focus on exceptional artists who have something really profound to say musicwise. quite slowly, but highly stringently deutschmann and davenport build up this musical journey until, without really realising, youre in the middle of a very slamming house track of a truely oldschool kind which gains further drama due to subtle chord changes. in his remix, matthias vogt from motorcitysoul further emphasises the tracks house character by adding more chords and then lets the deepness culminate in a wonderful break. robert bosco totally breaks out of the traditional catgories house and techno and combines the best of both worlds in his remix distilling it to a kind of essence of electronic music. all three tracks have in common an immensely consistent approach and a pleasingly trend-resistant understanding of deep music